Justin Pierre On “Maybe Being Tortured Genius”

propertyofzack:

Justin Pierre of Motion City Soundtrack was recently asked about if he had ever been referred to as a “tortured genius” and what goes into creating art. Read the Q&A below after the jump.

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"Like wildflowers; You must allow yourself to grow in all the places people thought you never would."

Unknown  (via arcane-wanderer)

twloha:

"When someone is going through a storm, your silent presence is more powerful than a million, empty words." - Thema Davis

(image via bakedquotes

alternativepressmag:

Vote ‘em up up up.

Fall Out Boy win Artist Of The Year at the APMAs.

then again, y’all ARE miniature

"Do you know what people want more than anything? They want to be missed. They want to be missed the day they don’t show up. They want to be missed when they’re gone."

In another excellent episode of NPR’s TED Radio Hour, Seth Godin dispenses some of his signature wisdom in discussing what makes a great leader. (David Foster Wallace had similar ideas.)

Pair with Godin on vulnerability, creative courage, and how to dance with the fear.

(via explore-blog)

Profile on Producer Mike Crossey

absolutepunk:

There’s a really nice profile on producer Mike Crossey (The 1975, The Gaslight Anthem) over on SoundonSound.
"After these years of working predominately with pop music that involved a lot of programming, I had a period of rebellion to it, during which I fell out with computers and wanted to work all-analogue and solely with tape machines,” remarked Crossey. "I was inspired by the Steve Albini approach and worked with many guitar bands. These days, I’m somewhere in the middle, and so last year I was talking with my manager about finding this mythical band that blends pop, commerciality, programming and electronic elements with being a guitar band with real instruments, credibility and ambition. I then heard the 1975 demos, and I immediately loved the songs and vibe of the band. That combination of guitars and electronic elements that I was looking for was right there, they just needed someone to help them make their record.”

Brendan Kelly: 'Six Million Ways to Die! Choose One!'

absolutepunk:

Brendan Kelly's latest blog looks into the worst ways to die.
That dude from Brand New sings a line that I think is pretty good: “Jesus Christ, I’m not scared to die. I’m a little bit scared of what comes after.” It’s evocative of the weird uncertain relationship humanity has with death, but I think it’s wrong. Being dead is a breeze. We’ve all already done it before. Begin at the moment you were born and go backwards to the beginning of time. How long is that? If you answered anything other than “an infinite amount of time” then god bless your foolish heart. You’ve already not existed for eternity and you’re fine right now, right?
Anonymous: musically speaking what is your greatest achievement/ proudest moment?

wiccaphase:

confusing teenagers

POZ Interview: PVRIS + Matty Arsenault

propertyofzack:

PropertyOfZack Senior Writer Jesse Richman headed out to Warped Tour a few weeks ago to sweat while watching bands, but to also do some great interviews for the site. 

Jesse spoke with Lynn Gunn from PVRIS about their Warped Tour experiences, singing to Rise after almost being on another label, new music, and the current scene before transitioning into a conversation with Matty from A Loss For Words. Read the interview below!

by Jesse Richman

Can I get your name and what you do in the band?
LG: Lyndsey [Gunn], I sing and play guitar in Pvris.

First of all, how’s Warped Tour going for you?
Amazing!

Tell me a little bit about what the experience has been like for you.
Lots of sun and burning and walking and pushing heavy objects and having fun!

Are you guys on the full run of the tour?
No, we only get two weeks. We hop off tomorrow.

So you’re right at the end of your run. Are you feeling run ragged yet?
No! We’re finally in the groove of it, and we want it to continue, to keep going to the end, but we only got two weeks. We finally got in the groove and started making friends, and it’s like “bye, you can’t be here anymore!”

You’re one of those bands that, for the last year or so, I would hear little things about, here and there. We did a POZ Showcase on you a while ago. And then suddenly, in the last couple months, it feels like you’re everywhere. Tell me a little bit about what’s been going down. I know you just signed to Rise / Velocity — tell me how that came together.
We did sign with them. We were originally supposed to sign to a different label. This actually happened a year ago, one year from two days ago. We were supposed to sign our contracts to a different label — I’m not going to say who — but literally the morning that we were supposed to sign, Matty [Arsenault, band manager / A Loss For Words vocalist] came running up to us, “don’t sign anything, we got an offer from Rise.”

Is that a label you’d had your eye on since the beginning?
Yeah. We had kind of settled for another label, we were kind of like “whatever, we can make this work.” Rise was the top dog that we were aiming for, and we ended up getting it!

One of the reasons I ask is because, I know you’re on the Velocity side which is a little different, but whatever Rise’s core sound is — and they’ve kind of got a couple of them now — none of it is quite what you guys are doing.
Yeah, it’s very, very different. They’re all really excited about it, which is cool.

What was it about Rise that you clicked with?
The freedom. They don’t have their hands in anything, we just get to do whatever the hell we want. To the point where, like, we sent over pre-production and rough mixes while we were in the studio, and they heard them and they didn’t know what to do, it was so different. That’s how much freedom you have, you can completely wow them.

That leads right into something else I was going to ask. I’ve heard the little bit that you’ve put out from the upcoming album, and it is a very different sound from where Pvris started out. Tell me a little bit about how your sound evolved, and where that came from.
I’ve actually been really into using programs like Reason for electronic music. Even when we were recording our EP I was into that stuff, and just wasn’t brave enough to incorporate it. It’s funny, because Blake [Harnage, producer of Pvris’ upcoming full length and member of Versa] actually was the one who got me into that years ago. I went to see them at a show and was like “yo, I know you do all this stuff, can you teach me? Or just help me out a little?” He and I have been in touch ever since, and he’s kind of been a mentor to me with electronic programming. It was cool to finally get in the studio with him — we put our sounds together, and went off. It was fun.

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UM Review: Aaron West and The Roaring Twenties - ‘We Don’t Have Each Other’

umusicians:

image

Aaron West and The Roaring Twenties - We Don’t Have Each Other
Label: Hopeless Records
Release Date: July 8, 2014
Reviewed by: Sabrina DiRenzo

Aaron West and The Roaring Twenties is the side project of The Wonder Years front man Dan “Soupy” Campbell. “We Don’t Have Each Other”…

Crown The Empire Release “Machines” Music Video

propertyofzack:

Crown The Empire just released The Resistance: Rise Of The Runaways via Rise Records. Watch a music video for “Machines” below after the jump.

Related Stories: 
Crown The Empire, Secrets, Volumes Fall Tour
Crown The Empire Announce New Album ‘The Resistance’ 

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"Be somebody who makes everybody feel like a somebody."

Kid President (via yn-kn)
They wouldn't teach you that in prep school so it's up to me
But no amount of vintage dresses gives you dignity